Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Tuesday, December 24, 2024

The 24 Best Movies of 2024

 


The big cinematic stories this year included the financially dismal launch of the summer season, the dramatic comeback of Pixar and the MCU's return to the billion-dollar box-office club (right alongside Pixar). Dystopian action prequels flopped just as hard as Nepo baby horror debuts and adaptations of 80s TV shows The best experiences that I had at the theater in 2024 were at rereleases (G*zilla Minus One and the 10th anniversary release of Interstellar). But a collection of indie gems, space operas and sports comedies made up for all of the panic at the cineplex.   




24. The Book of Clarence






Writer/director Jeymes Samuel reteams with LaKeith Stanfield and RJ Cyler following their collaboration on the western The Harder They Fall. This time they give the predominantly-Black treatment to the biblical genre. Removing the white-washing usually given to bible-based films greatly enhances the verisimilitude; if only the bestiality joke (involving a donkey) had been left on the cutting room floor. 









23. Bad Boys: Ride or Die





So far, the doubts about Will Smith's drawing power following his Oscars scandal seem to have been unfounded, as his first theatrical release post-slap did serious business at the box office, becoming the second-highest grossing installment in the long-running Bad Boys series.

Picking up where 2020's Bad Boys for Life (the biggest American money-maker of the year) left off, Marcus Burnett is forced to cut his retirement short in order to reteam with longtime partner Detective Mike Lowery to both clear their deceased captain's name and to help Mike protect his son survive being placed on a hit list.

The whole gang's back -- except for the glaring omission of Theresa Randle, who's been inexplicably recast -- for near non-stop thrill ride with more action than its predecessor. And, perhaps, enough to rival 2003's Bad Boys II.









22. Sweet Bobby: My 10 Year Catfish Nightmare





The title gives away some of this doc's surprise. But it's so much worse than simple online deception.









21. Nickel Boys





The greatest of the year's Best Picture nominees, it's hard to believe that this true-life story is director RaMell Ross' narrative feature debut. Based on the horrors suffered by students/inmates at Marianna, Florida's infamous Arthur G. Dozier School for Boys, Nickel Boys provides an insider's view of the abuses experienced by two African-American teens incarcerated there in the late 1960s.









20. Yacht Rock: A Dockumentary













19. Exhibiting Forgiveness





Renowned painter Tarrell Rodin is a husband and father and still has nightmares stemming from his abusive childhood. When his estranged father, La'Ron, a homeless drug-addict, shows up at his mother's house, Tarrell decides to face his demons head-on. Exhibiting Forgiveness interrogates the long-lasting trauma inflicted on children by their parents, as well as the passivity of the parent who enables the abuser.  









18. Ol' Dirty Bastard: A Tale of Two Dirtys





The most uninhibited member of the venerable Wu-Tang Clan is profiled in this film that explores the life and career of ODB. Family, music industry colleagues and group members Raekwon and Ghostface provide first-hand accounts of their respective relationships with the fallen legend.









17. Twisters





It took 28 years for this sequel to arrive but it improves on its predecessor in every way: action; story; and, especially, casting. Twisters is 2024's version of Blade Runner 2049.









16. The Silent Hour





After he's injured in the line-of-duty, Detective Frank Shaw is left struggling to accept his hearing impairment and depressed. But when his former partner enlists him to translate for a deaf woman, he's swept up in a murder plot.

Die Hard is so good that it's still being copied 26 years later. In this case, the dynamic of a cop confined to a single location with a group of killers is transferred to a Boston apartment building (as opposed to an L.A. skyscraper) and the damsel-in-distress is a deaf witness (instead of his estranged wife). And while The Silent Hour doesn't live up to its inspiration, it still works. It also marks headliner Joel Kinnaman's second differently-abled lead character in a row -- after portraying a mute guy in 2023's Silent Night.









15. Blitz





One of two enthralling 2024 movies about the effect of WWII on children, Blitz follows George, the son of a Black Guyanese father and a white British mother, who's sent to the countryside during Germany's infamous bombing of London.









14. White Bird





Far from a villain origin story, in which we witness a formerly more innocent antagonist succumb to corruption, this sequel provides Wonder's school bully, Julian, with a measure of redemption after the fact.









13. Untold: The Murder of Air McNair





NFL great Steve "Air" McNair's 2009 murder was and remains a tragedy. And the mainstream news media has had a not-insignificant hand in shaping the perception that professional athletes and, especially, Black men as the usual culprits in domestic violence tragedies such as this. But the reality is that McNair (not to mention Carolina Panthers standout Fred Lane) was senselessly murdered by an intimate partner -- through no fault of his own. This installment of Untold masterfully explores McNair's football career and the circumstances of his death without adding to a certain racist, sexist narrative.









12. Bad Genius





Bad Genius is SAT-heist film The Perfect Score done right. While it may be fun to watch a young Chris Evans and Scarlett Johansson embark on a covert op together and imagine that you're witnessing teen Avengers undertaking a mission, the duo's 2004 collaboration leaves a lot to be desired. Genius, however, deftly presents a story about a couple of minority whiz kid children of immigrants and the privileged private school classmates who pressure them for test answers.









11. Land of Bad





Russel Crowe headlines one of its best movies in this story about a military extraction gone wrong and the drone pilot who assists the men on the ground.









10. Suncoast





In this true story, based on writer/director Laura Chinn's real experiences, teenaged Doris begins to emerge from her shell and begin her life just as her brain cancer-stricken older brother's is slowly ending -- in the same hospice facility that houses Terry Schiavo. While coping with Max's impending death, Doris struggles to endure her relationship with her widowed, neglectful "Karen" of a mother; befriends a group of wealthy classmates (one of whom is a self-described feminist who overlooks her boyfriend's cheating); and even makes the acquaintance of a quasi-father figure -- whose advice she doesn't appreciate nearly enough. 

The stroll down memory lane, courtesy of early 2000s songs and reality shows, is the cherry on top of an already-engaging story 









9. You, Me and Christmas Three





Calvin destroyed his broadcasting career with an on-air meltdown and Willa torched the company she worked for with a snarky post -- on the same day. One year later, after the former social media manager moves back in with her mother, she meets the former journalist at his new job as a baggage claim supervisor after she grabs the wrong luggage at the airport. It doesn't go well but these two rude cynics do exchange numbers so that Calvin can let Willa know if and when her suitcase turns up. 









8. Caddo Lake





Caddo Lake is best enjoyed without any prior knowledge of the story. But I'll say this: bear with the slow start and pay attention to everything.









7. Code 8: Part II





Deadpool and Logan may have ruled the box office but the best mutant movie belonged to streaming this year. This modestly-budgeted sequel surpasses its predecessor in every way in its grounded world-building and depiction of how society treats people born with special abilities. 









6. Romance with a Twist





After letting go of her dream to be a professional dancer, Luna joined the family construction business and settled into small-town life. But when the local art festival has an opening for an aerialist, she jumps at the chance to learn a new skill that would allow her to express herself through movement. And her partner just happens to be single. 









5. Trading Up Christmas














4. The Underdoggs





Combining Friday with The Bad News Bears, The Underdoggs is the second-funniest movie of the year and deserved to be seen in theaters as opposed to being a streaming exclusive. This story of an abrasive, retired NFL star who agrees to coach a Pee-Wee football team in his hometown as a publicity stunt (that will hopefully land him a broadcasting job), takes a standard band-of-losers led by a cynic with a heart-of-gold story and fills it to the brim with uncensored comedy.  









3. Rebel Ridge





Police corruption, racism and greed collide with a former U.S. Marine when he arrives in a small town seeking to bail his cousin out of jail before he's transferred to prison. Wearing obvious similarities to First Blood on its sleeve, Rebel Ridge surpasses every movie in the franchise that arose from John Rambo's screen debur.









2. The Instigators





Good things tend to happen when Ben Affleck, Matt Damon and Casey Affleck collaborate cinematically for a story set in or near Boston. This Masshole-centric heist is no exception as Damon reinhabits a military veteran role and the younger Affleck portrays another f*ck-up with a drinking problem. Funniest movie of the year. 









1. Rebel Moon Part Two: The Curse of                      Forgiveness





Writer/director Zack Snyder's follow-up to last year's A Child of Fire is a vast improvement as the recruited warriors join the Veldt villagers in engaging the full military might of Admiral Noble's forces. While this sequel's predecessor showed promise, Curse of Forgiveness genuinely makes good on Snyder's Star Wars ambitions, providing backstories as well as juxtaposing ground skirmishes with a fight aboard a crashing starship. Like The Empire Strikes Back, the story picks up with the revolutionaries being hunted by the reigning regime and ends with them set to embark on a quest to locate a loved one (in this case a princess instead of a smuggler), teasing much more to come.

Derivative or not, the Imperium's walking tanks are vast improvements on the ones seen in the Prequel Trilogy, outclassing them in every way. And underscoring the abundance of gray morality on display, two of our heroes kill enemy combatants attempting to provide medical assistance after posing as their injured comrades-in-arms. 

There are surprises too. it's refreshing and, frankly, astonishing in this day and age that, given his introduction as "the village's greatest hunter" and Gunnar's rival for Kora's affections, that Den is never depicted as an avatar of "toxic masculinity" and instead was always counted among the heroes. This second half of Rebel Moon's Snyder Cut is the best sci-fi movie of the year and the best "Star Wars" film anything since Rogue One.

Friday, November 22, 2024

The 30 Biggest Flops of 2024

 



Critics and cinema pundits continue to insist that the film business is in trouble because the comic book movie bubble has burst  and that fans suffer from superhero fatigue. The thing is, this theory fails to account for the dozens of high-profile bombs from various other genres year after year. The truth is that Hollywood seems determined to bank on titanic productions with no discernible audience (musicals about supervillains, for instance) -- or that alienate the respective audiences who would've shown up had they not been conditioned to expect to be insulted by the very thing that studios want them to spend hard-earned money on. The following films are merely the latest examples of Hollywood offerings that movie buffs either elected to watch in the comfort of their own respective homes or simply bypassed altogether.
 



30. Arthur the King



Loss: $2 million

While Arthur the King is a heart-warming story based on true events, headliner Mark Wahlberg has seemingly lost his ability to fill theaters. 





29. The First Omen



Loss: $3 million

Apparently, the marketplace could only support one nunsploitation movie this year. Unfortunately for the Omen franchise, this wasn't it.





28. Miller's Girl


Loss: $4 million





27. Cuckoo



Loss: $4 million





26. The Watchers



Loss: $5 million

It seems the apple sometimes falls very far from the tree, as super director M. Night Shyamalan's daughter Ishana's directorial debut failed to capture the interest of horror fans.





25. Back to Black



Loss: $6 million

Hiring the director of Fifty Shades of Grey for Amy Winehouse's biopic may not have been the wisest decision, as borne out by the film's low critical scores -- and paltry ticket sales.





24. Abigail



Loss: $8 million





23. Lisa Frankenstein


Loss: $9 million

1990's Edward Scissorhands was a hit when it was released and remains one of the most cherished collaborations between director Tim Burton and actor Johnny Depp, as well as a goth classic. But ripping off retelling the story as a period piece set in 1989 failed to capture the same audience. Go figure.





22. Monkey Man



Loss: $9 million

The $10 million that Universal shelled out to acquire star Dev Patel's directorial debut, combined with the $16 million they spent on TV promo, on top of its $10 million budget made Monkey Man a losing proposition.





21. Reagan



Loss: $10 million

This is the first of two films about former presidents to bomb this year.





20. I.S.S.


Loss: $11 million





19. Kinds of Kindness



Loss: $13 million

Greek filmmaker Yorgos Lanthimos' resume is littered with weird films, which may explain the poor box-office reception for his latest offering.





18. Civil War



Loss: $13 million

A combined production budget and P&A of $70 ensured that writer/director Alex Garland's latest release failed to break even.





17. The American Society of Magical Negroes



Loss: $14 million





16. Drive Away Dolls


Loss: $18 million





15. Challengers



Loss: $20 million

Audience interest proved to be too little to overcome the combined production and marketing budgets for what essentially amounts to a big screen Lifetime movie.





14. The Lord of the : RingsThe War of the                  Rohirrim



Loss: $21 million

In hindsight, centering the first middle-earth movie in a decade around a previously unnamed character -- and without the guidance of LOTR co-writer/director Peter Jackson's -- may not have been the best idea. The jerky animation doesn't exactly help matters either. Seeing the writing on the wall after its dismal opening, the studio opted to make The War of the Rohirrim available for streaming a mere 14 days after its theatrical debut.   





13. Harold and the Purple Crayon



Loss: $24 million

In 2019, Zachary Levi portrayed a kid in a man's body equipped with magical powers in the lowest-grossing DCEU film up to that point (Shazam!). Four years later, he reprised the role in a sequel that lost over $58 million. For some reason, he was tapped to once again breathe life into a magical man-child in this adaptation of a 1955 children's book. To be fair, Harold is exponentially better than Shazam! Fury of the G*ds but it should've been clear to anyone with a pulse that audiences were never really into Levi's off-brand Big schtick.





12. The Bikeriders



Loss: $28 million

This star-studded biker bio drummed up so little business that it was sent to streaming a mere 18 days after its theatrical debut.





11. The Crow


Loss: $38 million

Brandon Lee's tragic death on the set of the original Crow failed to prevent the film from becoming a cult classic but the fact that Lee's unforgettable connection to the movie would overshadow any attempts to sequalize or remake it should've been a no-brainer. Perhaps the box office receipts from said attempts have finally made it clear.





10. The Ministry of Ungentlemanly Warfare



Loss: $48 million

In keeping with his aping cinematic sampler Quentin Tarantino's style, writer/director Guy Ritchie applies his schtick to WWII (not unlike Inglorious Basterds) for this military caper loosely based on true events. The problem is that audiences seemed to have grown tired of his act years ago.





9. Transformers One



Loss: $82 million





8. The Fall Guy



Loss: $130 million

While the film adaptation of 1980s television series The Fall Guy provides plenty of cinematic spectacle, its goofiness, combined with the fact that the plot makes much less sense than the source material's premise, is likely what turned moviegoers off. And spending a reported $220-$230 million on production and marketing made it a less-than-worthy gamble.





7. Fly Me to the Moon



Loss: $85 million





6. Madame Web


Loss: $92 million

Surprise, surprise. A film about a woman who will meet Spider-Man decades in the future failed to interest comic book movie fans.





5. Furiosa: A Mad Max Saga



Loss: $95 million

Unsurprisingly, a Mad Max movie that only features Max in a cameo incurred even greater losses than its predecessor, which relegated the titular hero to a sidekick role.





4. IF



Loss: $91 million

When it comes to family entertainment, Judith Grimes is apparently no match for Garfield, as the orange tabby gobbled up moviegoers' money like it was lasagna and left IF in his dust.





3. Gladiator II


Loss: $98 million

Revisiting ancient Rome for another exploration of the plight of gladiators wasn't a bad idea. But regurgitating the 2001 Best Picture winner and calling it a sequel? Not so much. Though theatergoers initially showed up -- anticipating a great continuation or companion piece to Gladiator -- word-of-mouth regarding the quality of what unfolds onscreen prevented director Ridley Scott's second-worst sequel from recouping the majority of the $118 million spent on marketing the film. But the naumachia was spectacular (despite the historical innacuracy).





2. Joker Folie a Deux



Loss: $197 million

Perhaps it should've gone without saying but, apparently, very few moviegoers wanted to see a musical about comic book villains. Go figure.





1. Argylle


Loss: $240 million