by Ran Britt
25
years ago, the world was a very different place. Hip-Hop was alive and
well, OJ Simpson was thought of as a hero, guys didn't wear tight pants,
Ice Cube was scary to white America and ghetto violence was
Southern California’s best-kept secret. However, in the summer of 1991,
then-20 year old first time director John Singleton brought urban
violence and California
hood culture to the mainstream. The recent USC film school grad gave
big screen visuals to the gritty tales heard on “gangsta rap” cd's and
tapes (remember it was ’91) and brought the west coast inner-city to
suburban moviegoers all across the country.
That’s not to say that Singleton was the first to expose the problems in the hood. After all, the film is heavily influenced by NWA (who
director Singleton had envisioned appearing in the film). Hell, the
title itself, including its phonetic spelling, is an allusion to an Eazy-E song. Boyz N The Hood is not even the first film to explore the other side of Cali on-screen. However, two and a half decades ago this summer and less than a year before the L.A. riots, Boyz N The Hood was the first and one of the best in what is dismissively referred to as the “hood movie” film genre.
Boyz N The Hood has left an enormous impact on the landscape of pop culture. The
film spawned an entire movie genre, which in turn led to a resurgence
in African-American cinema itself. While the rise of west coast hip-hop
in the early 1990's is due to NWA and their contempararies, it's
near complete saturation of radio stations and video channels is at
least indirectly a result of Boyz's crossover success. Incidentally, the movie features Ice Cube
in his first and arguably his best cinematic performance. Fourteen years after the
movie's release Young Jeezy's first group (Boyz N Da Hood of
course) even took its name from the movie.
Boyz N The Hood is still a good recommendation for anyone who hasn't seen it. Boyz
received not one but two Oscar nominations for Best Director and Best
Screenplay at the time of it's release. Eleven years later, in 2002, the
movie was selected for membership in the National Film Registry by the Library of Congress for it's "cultural significance".
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